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By The Sea: Photographs from the North East 1976-1980

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RRB Photobooks, September 2019
hardcover, blue cloth
20 x 28 cm
132 pages
First Edition of 600 copies including Special Edition of 100 copies

ISBN: 9781916057517

First Edition Sold Out | Special Edition £275
Whitley Bay, 1978
10x8" Signed and Limited Silver-Gelatin print, limited to an edition of 100

  • RRB Photobooks, September 2019
  • Blue Cloth Hardcover
  • 20x28cm, 132 pages
  • Edition of 600
  • Including 100 copies with signed and limited silver-gelatin print
  • Print is 10x8" signed and limited silverprint of 'Whitley Bay, 1978' (Image 2)
RRB Photobooks are pleased to present a series of photographs made by Czech photographer Markéta Luskačová taken in the late 1970s on the North East coast of Britain. The book was produced to coincide with an exhibition of the same name at the Martin Parr Foundation, Bristol.

Czech-born Luskačová has lived in the UK since 1975 and first went to North East England in 1976 when visiting photographer Chris Killip, who at that time lived there.  She fell in love with Whitley Bay, and with the people there who, in spite of the harsh weather, enjoyed their time at the seaside. When Amber, a film and photography collective, invited her in 1978 to photograph the North East of England alongside Martine Franck, Henri Cartier-Bresson and Paul Caponigro, she was drawn back to photograph the seaside.

“I was very touched by it all: the families with children, old women in their best hats, elderly couples with grandchildren, teenagers courting shyly or boisterously, the ponies and donkeys walking patiently to and fro on the beach.  The dogs and children were everywhere, dogs enjoying themselves as much as the children did. The fairground and the omnipresent tents, fortresses against the wind and rain, the seaside cafes selling sandwiches, apple pies, custard pies, ice creams and teas, of course. But they also sold boiling water to women who brought with them from their homes their teapots and teabags, because to buy tea for the whole family would be too expensive.”

 

Although well known in photographic circles, Luskačová’s work in recent years has lacked the exposure of some of her contemporaries. This exhibition and publication aimed to contribute to a recent resurgence of interest in Luskačová’s work and to introduce it to new audiences.